![]() ![]() Sam Cooke and Freedom Singers are an example of these artists. This genre was aimed at building strong relationships during difficult times by connecting people. The early 1960s consisted of freedom music, a direct descendant of gospel music. Musicĭuring the 1960s and 1970s, music paralleled black identity and culture. Lester Wilson choreographed the movie, and his assistant was Michael Peters, who went on to choreograph “Beat It” and “Thriller” for Michael Jackson. FilmingĬredit must also be given to cinematographer Bruce Surtees and all other technicians who worked on the film. With her other cast mates, the trio "combine their extraordinary freshness and talent to sing to the music of Curtis Mayfield, who composed the music for the film produced by Howard Rosenman." None of the actors cast were big names at the time and many were newcomers, Lonette McKee actually made her feature film debut in this film. There were over 2,000 young ladies who auditioned for the role of Sparkle Irene Cara ended up with the role and was just 17 when she was cast, she would become the film's breakout star as she went on to do films like Fame. In addition, good casting and introducing newer faces was an important feature of the film, something that did not take too much of the budget. ![]() The film's story and plot were heavily inspired by the real-life singing group Diana Ross and the Supremes. This film was Sam O'Steen's debut film as a film director and given the limited budget, he did his best to use what was available to him. He was the infamous editor of Carnal Knowledge, Rosemary's Baby, and Chinatown. at the time and said Sam O'Steen had to direct the film. Lonne Elder, writer of the Academy Award nominated screenplay for Sounder drafted Sparkle, which Joel Schumacher edited to make a 200-page basis for the film, this film would be his screenwriting debut.
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